![]() ![]() The Late Poetry of the Lake Poets: Romanticism Revised. Cambridge: Cambridge University Press, 1996. Landscape, Liberty and Authority: Poetry, Criticism and Politics from Thomson to Wordsworth. Chicago and London: University of Chicago Press, 1984.įulford, Tim. Wordsworth’s Second Nature: A Study of the Poetry and Politics. Aldershot, UK: Ashgate, 2002.Ĭhandler, James K. Re-Reading The Excursion: Narrative, Response and the Wordsworthian Dramatic Voice. New York and London: Routledge, 2008.īushell, Sally. Ruined by Design: Shaping Novels and Gardens in the Culture of Sensibility. London: Verso, 2007.īrodey, Inger Sigrun. Adam Smith in Beijing: Lineages of the Twenty-First Century. “Wordsworth, Southey, and the English Church.” The Wordsworth Circle 44:1 (Winter 2013), 30–36.Īrrighi, Giovanni. Ithaca, NY and London: Cornell University Press, 2004.Īndrews, Stuart. Sonnet Series and Itinerary Poems, 1820–1845. Ithaca, NY and London: Cornell University Press, 1992. “Lyrical Ballads,” and Other Poems, 1797–1800. Ithaca, NY and London: Cornell University Press, 1981. Ithaca, NY and London: Cornell University Press, 1979b. “The Ruined Cottage” and “The Pedlar.” Ed. London: Longman, Hurst, Rees, and Orme, 1807. London: Longman, Hurst, Rees, Orme and Brown, 1823. The History of England During the Middle Ages: From the Norman conquest to the accession of Edward the First. Pennsylvania: Pennsylvania State University Press, 1995. The Politics of English Jacobinism: Writings of John Thelwall. “Gothic Antiquarianism in the Eighteenth Century.” Chapter in The Gothic World. Letters from England by Don Manuel Alvarez Espriella. The Life and Correspondence of Robert Southey. Lectures on Architecture and Painting, Delivered at Edinburgh, in November 1853. ![]() The Stones of Venice, Volume the Second, The Sea-Stories. “Ruins without a Past.” Essays in Romanticism, 18 (2011), 7–27. Princeton, NJ: Princeton University Press, 2002. Confessions of an English Opium-Eater and Other Writings. The Works of Thomas de Quincey: Articles from Blackwood’s Edinburgh magazine, and Tait’s Edinburgh Magazine, 1844–6. London and Princeton: Routledge, Princeton University Press, 1990.ĭe Quincey, Thomas. Samuel Taylor Coleridge: The Major Works. London and Princeton, NJ: Routledge & Kegan Paul, Princeton University Press, 1969. Travels in China: Containing Descriptions, Observations, and Comparisons, Made and Collected in the Course of a Short Residence at the Imperial Palace of Yuen-Min-Yuen, and on a Subsequent Journey Through the Country from Pekin to Canton. London: Imperial College Press, 2000.īarrow, John. The Letters of Sir Joseph Banks: A Selection, 1768–1820. Preserving and erasing lines on China after the loss of his brother John to the Canton trade, Wordsworth replays the historical drama of “Michael” in personal and global form.īanks, Joseph. Further relating the poem to the personal and artistic context of a gradually “materializing” Gothic “Plan” (Coleridge’s phrase), from Lyrical Ballads and The Prelude (1805) to The Excursion (1814) and The White Doe of Rylstone (1815), I argue for “Michael” as a key text in Wordsworth’s long turn from an initial “revolutionary architecture” of the Gothic to an influential ethos of “self-evolving” “insularity.” The chapter concludes with a discussion of “global” presences in the “national theodicy” of The Prelude. Wordsworth speaks of the poem as a “history / Homely and rude” of family breakdown and generational crisis, and I argue that its historical character consists in the “Gothic” obliqueness with which it registers not only a loss of tradition but also the arrival of the so-called new time-that is, consciousness of an accelerating self-made history. This chapter goes back to “Michael, A Pastoral Poem” (1800), reading it as a “Gothic” history in the specific Wordsworthian sense developed in this book. ![]()
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